User rating - 7,3 of 10
director - Bong Joon Ho
Writer - Jean-Marc Rochette
country - South Korea
liked It - 281710 vote
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I don't know why people don't like this movie. I thought it was great, especially with the social commentary.
What social commentary, you ask? Let's see: the poor are being treated like garbage (Tilda Swinton's character compares them to a shoe aka the bottom of the barrel and says that a shoe can never be a hat) the rich have all the stuff they need and way more (like the 1% of the US) and the rich say that the reason for that is because everyone has their place in the world.
The children being part of the engine was both horrifying and symbolic. How symbolic? Think about it: as poor adults get older and die off, it's their children that will continue to work for the rich.
But the most terrifying part was the classroom. I was squirming in my seat when I watched that because I felt like I was watching an initiation into a cult, which was probably the point. The teacher was overly happy, the children were eating up her lessons like they were cake, and there were chanting and hand movements that seemed to be drilling in the "lesson of the day." Overall, people should really cut this movie some slack and see it for what it is: a good sci-fi movie that shows social inequality. If you can't see symbols for what they are you watching movies in the first place.
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After a climate manipulation attempt gone terribly wrong, the whole world is caught in an extreme ice age. The last of humanity constantly travels around the world in a train, that provides them with the necessities for survival. The passengers on board are divided (roughly) into two classes: oppressors and oppressed. Naturally the oppressed, who reside under terrible conditions in the wagons at the end of the train, plan a revolt. br> The premise of Snowpiercer borderlines implausibility, but fortunately it draws you in very quickly and makes you accept it for the greater part of the movie. The characters are like- and hate-able as necessary, which allows the viewer to get emotionally involved. The tension curve rises well from the beginning, but after about two thirds in, the movie begins to drag on. The pacing in the last third is way off. Too much time is spent on philosophizing about the train, which obviously serves as a metaphor for the supposed inevitabilities of societal structures. The finale remains unsatisfying as it doesn't answer a number of pressing questions.
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